The Neon

Sexting... with tears in my eyes


This sort of raises the question - Is a failed imitation still flattering?

I am periodically compelled to pay sloppy tribute to my stylistically formative years - the early 80s. Fortunate or not, “New Romantic” synth bands like Ultravox, snippets of Visage, Alphaville, Heaven 17, and Yaz come to mind, also the moderately healthy diet of movies like Blade Runner, Videodrome, and Liquid Sky. In the early days of The Fourth Man my band mates probably would have quashed the idea, but no one gives a crap now, so please feel free to cringe at/enjoy the kinder, gentler side of T4M. Oh, and those “pitchy” notes I’m not quite hitting? Those are “blue notes”. Respectfully, fuck you, Auto-tune.

…And if the other kids on the playground make fun of you for being a robot, remind them that it’s repliCAN, not repliCANT.

Then poke out their eyes.

- Mr. Collings

Oversharing

The original self-titled T4M CD, released in 1994 is now available to stream on this site and to download through Band Camp.  In the T4M 1994 section we have included extensive production and biographical notes written by David Collings, with an afterword by Gabriel Abney. Also included is additional content, photos, unreleased tracks, early versions, and alternative takes. It’s more than you ever wanted to know about the original period of activity for T4M from the late 80s to 1994.

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Fulley Human

You might notice a new track uploaded for your listening pleasure. It's called Fulley Human. You can comment on our Soundcloud page.

More soon. Well, soon-ish.

T4M-G